Monday, June 24, 2013

Edna O'Brien and "the Lonely Voice"



O'Brien interview

Note the way she leans into an uncomfortable theme--that of a middle-aged, divorced woman, displeased with her situation and life, and realizing it all against the backdrop of leaving her son at college.


The British Museum Reading Room

by Louis Macneice

Under the hive-like dome the stooping haunted readers
Go up and down the alleys, tap the cells of knowledge --
Honey and wax, the accumulation of years --
Some on commission, some for the love of learning,
Some because they have nothing better to do
Or because they hope these walls of books will deaden
The drumming of the demon in their ears.

Cranks, hacks, poverty-stricken scholars,
In pince-nez, period hats or romantic beards
And cherishing their hobby or their doom
Some are too much alive and some are asleep
Hanging like bats in a world of inverted values,
Folded up in themselves in a world which is safe and silent:
This is the British Museum Reading Room.

Out on the steps in the sun the pigeons are courting,
Puffing their ruffs and sweeping their tails or taking
A sun-bath at their ease
And under the totem poles -- the ancient terror --
Between the enormous fluted Ionic columns
There seeps from heavily jowled or hawk-like foreign faces
The guttural sorrow of the refugees.


In The British Museum 
by Thomas Hardy

'What do you see in that time-touched stone,
When nothing is there
But ashen blankness, although you give it
A rigid stare?

'You look not quite as if you saw,
But as if you heard,
Parting your lips, and treading softly
As mouse or bird.

'It is only the base of a pillar, they'll tell you,
That came to us
From a far old hill men used to name
Areopagus.'


- 'I know no art, and I only view
A stone from a wall,
But I am thinking that stone has echoed
The voice of Paul,

'Paul as he stood and preached beside it
Facing the crowd,
A small gaunt figure with wasted features,
Calling out loud

'Words that in all their intimate accents
Pattered upon
That marble front, and were far reflected,
And then were gone.

'I'm a labouring man, and know but little,
Or nothing at all;
But I can't help thinking that stone once echoed
The voice of Paul.'

"For the Imagists at the British Museum"

Y'all wore me down! Off to the British Museum we go. But there's a catch:

--your "exit ticket" out of the museum will be a poem or piece of flash fiction that leans into some sort of discomfort in a way that is honest and vivid, and should be inspired by your time at the British Museum.

--For Thursday, our last class day, please bring a notebook and pen, and a few ideas about your time here in London that might serve as fodder for a new brief piece.  If the weather holds, we'll be taking a walk through Regent's Park to Primrose Hill for a special outing. Bring snacks if you have them;)

Wednesday, June 19, 2013

William Golding and the Art of the Slow Reveal





Bishop Wordsworth's School, the inspiration for The Lord of the Flies 0_o

BBC Interview with William Golding


"Miss Pulkinghorn"

CR#4, due Tuesday, will be to finish the writing prompt we will begin in class today, one that employs both the "slow reveal" and a surreal element encased in a realistic story.

Monday, June 17, 2013

Muriel Sparks and Strange Truths

Muriel Spark
"The House of the Famous Poet," first published in the New Yorker








Gabriel Garcia Marquez's "Light is Like Water"

Emma Bolden's "House"

Paul Delvaux's "Sleeping Venus," 1944, at Tate Modern

Off to the Tate!

While there, take notes on surreal elements that speak to you. In your notebooks, describe the pieces, noting their titles and the names of the artists for reference. Then, list the emotions and abstract ideas that the art brings to mind. "Collect" at least five artworks this way. We'll work with your research in class on Thursday in preparation for CR #4.

Response 3: Cerulean Skies

Hello London travelers (sad it's almost over!).  This is what I decided to post on my revision of this story.  Everyone responded how they wanted more of Evelyn's background and her connection to Roderick, so here ya go.  I inserted chapters because that is what people advised for me to do during our workshop session, so hopefully it makes more sense now (?).   They also wanted to know if this story is from Evelyn's point of view.  I think yes, this is from her point of view, for these are her experiences, but  read through this again and tell me what you think. 
Chapter II is the dance scene I began to tell  last week with Roderick and Evelyn.  If it is confusing and the placement was confusing, please tell me.  Tell me your impressions of this version and please do enjoy!  I need comments of  Roderick's character.  So please do tell!
Cara Eiland

Chapter I
Chaos in the Night
Chaos surrounded the city.  Flames of fire roared, smoke made it difficult to breathe, and screams of the innocent pierced the night. You could still hear planes flying in the sky, along with the dropping of bombs as they hit their targets.  More screams filtered the air and the piercing roar of the warning siren did nothing to impede the torment and fear we were already under. 
Evelyn had thought this night would be an unforgettable event as it was her first night in London.   But who knew on the night of September 7, 1940 would be a life-changing event that would alter not only her life, but the innocent people of London. 
She was running.  Their destination unknown.  Her life was in the hands of a man she had only met a few moments ago. 
 "You all right there Evelyn?  We are almost at headquarters.  There you will be safe," said Roderick.
 Her breathing was hectic with the combination of smoke, fear, and fatigue was having an effect on her body. 
 "Y...Yes, I am making it,” said Evelyn with panted breathes.  He noticed that she was wearing out, but he kept her going, pulling her along like the soldier he was.
Roderick furrowed his eyebrows and had a determined look upon his face, "Don't worry Evelyn, I will make sure you're safe and I will try to find your aunt". 
 His fearlessness and strong will gave her confidence.  Evelyn picked up the pace, so he was not practically dragging her. 
  With his back facing Evelyn she looked at his form.  His once immaculate white lieutent-colonel uniform was now smudged with soot, turning it a mixture of grey and black.  She cannot seem to look away from his form as she notices that on his suit and hands were the traces of blood. 
Slight flashback to minutes before:
The colonel had lost one of his comrades tonight.  Philip was his name and he saved Roderick from a falling pillar.  Roderick ran over to aid Philip who was now on his knees, looking down towards his stomach.  Roderick noticed the piece of timber embedded in his stomach and the damage it had done; that Philip's lungs were pierced and with the predicament we were under and with no resources to help stop the bleeding, both soldiers knew Philip's fate.  Philip looked at Roderick, whose face was sullen with regret for his childhood friend, but Philip looked up at him with a sullen smile.
  Evelyn was so caught up in the moment that she did not see the falling debris heading her way.  Roderick noticed and shouted towards her, but Evelyn could not hear what he had to say.  She looked up hesitantly and was frozen.  The next thing she knew, she found herself lying on the ground with Roderick's body shielding her from danger.  He looked at her, checking her over to see if she had any injuries.  Evelyn stared at his eyes, his once sarcastic and playful cerulean eyes that now held regret in them. 
  We picked ourselves up; there was no time to waste.  Roderick did not look back, he only marched forward.  Evelyn; however, glanced behind her shoulder where Philip once stood was now consumed by roaring fires and debris.  She knew that Philip had fallen to his death and Roderick had to leave him to save her.  Evelyn faced forward, trying not to show her tears.  What little tears do fall is caught by Roderick.  He is facing her now, they are inches apart and she is able to hear his heartbeat.  It is not as erratic as her own, but a steady rhythm.  Even though he has lost his friend, his will has not faltered.
  He places his hand on her face, catching the fallen teardrops with his fingertips.  He stares at the drops on his fingers and then looks into Evelyn’s eyes.  She stares back, trying to grasp what he is feeling.  She sees a man who has dealt with many hardships.  Though he may seem arrogant and a flirt, he has seen his own demons. 
There are no words exchanged through them.  Roderick removes his hands from her face and takes her hand back into his firm grasp as they continue their escape through the streets. 
Chapter II
First Impressions
            Evelyn Thatcher, age 19 and from Chicago, Illinois travels along with her Aunt Gwen on her seasonal autumn trip to London, England.  Though Europe was under threat of war, Evelyn and her aunt thought nothing of the impeding danger because they thought they would be safe in the heart of Britain.  Their first event of the evening was a social gathering where soldiers, gentlemen and ladies would entertain themselves with music, dancing, and alcohol all around that would captivate the masses of the wealthy.  It was to be a glorious night, until a disastrous event was to cause turmoil and calamity to the city of London. 
           Evelyn was amazed by the crowd of people that surrounded her, but she was left alone due to her Aunt Gwen socializing with her colleagues.  Evelyn grew bored of the idle conversation and excused herself.  She was making her way towards a waiter who was giving out champagne, when she nearly bumped into a man that crossed her path.
           “Why hello, I don’t believe we’ve ever met,” the man says with a smirk.  “My name is Roderick Waldemar, Lieutenant-Colonel Waldemar, and who might you be.” He says while extending out his arm for a form of introduction.  He was dressed in an immaculate white suit and he had cerulean sky eyes that stood out against his white suit.  Evelyn became captivated in their depths as they stared me down with their sarcastic allure. She notices her long stare when he laughs heartily at her and she shakes her head to clear her muddled thoughts.
            “My name sir?” she says with a tint of red on her cheeks due to her own embarrassment.  He smirks at her, finding her amusing and Evelyn finds that she will easily become addicted to his grin which showcased a hint of a dimple on the right side of his lip.
            He replied in an arrogant manner, “Yes, it is proper to ask for a person’s name as a form of introduction, wouldn’t you agree?” Evelyn’s face becomes red for a different reason now, as she becomes angry at his note of sarcasm.
            “Yes, but only when the other person finds it necessary to give one’s name,” she says with a turn of her head.  With that, Evelyn thought she would have gotten rid of him, but the soldier was not turned down that easily.
            It turns out that Evelyn had found herself the notorious bachelor of the city, who is known to gain all the girls attention.  However, that did not win Evelyn over.  His arrogance astounded Evelyn and her stubbornness to acknowledge the man only seemed to entice him further.
            Evelyn finally gives in to the soldier and replies exasperatedly, “All right! My name is Evelyn Thatcher, you happy,” she says with her arms crossed in an irate manner.
            He smiles a victorious smile, “Why yes, Miss Evelyn.   Now if I may have this dance.” He does not even wait for her reply.  He just takes her hand and begins spinning her around and dancing to the music. 
            Though his arrogance and smug attitude astounded Evelyn, she could not help but compliment him on his superb dancing skills, which was fascinating due to what she had learned of his background.
            He had begun telling her bits of his life story of how he was raised as an orphan who lived off the streets.  He formed his own gang alongside his right-hand-man Philip alongside four other members they had found through the years.  They were the best pick-pockets and toughest group there was, even in their early ages of 10-14.  Roderick soon became bored with dealing with the low-life and Philip had noticed the change in Roderick.  It was Philip’s suggestion for Roderick to enlist in the army, but Roderick initially thought it was ridiculous to serve as a lap dog to the military.  With persuasion of Philip and the rest of the gang, they tried to convince Roderick to see reason.  Becoming annoyed with their constant bickering, Roderick began to think of what he could accomplish in life as a soldier.  None-the-less a high ranking soldier because he knew he would easily rise in the ranks due to his deductive reasoning skills and intelligence.  He knew that his life on the streets would get him nowhere in life, so he enlisted to join the army.  Within two years’ time, Roderick rose to the rank of Lieutenant-Colonel, alongside with Philip as his second in command and his gang amongst them as his officers.
            As Roderick continues to dance in formation, Evelyn says, I don’t see how you could be considered an elite soldier, Roderick,” she said with a glare in her eyes.
He smirks, “Well Miss Evelyn, the army found my charm and wit too appealing to pass up,” he says with a tone of sarcasm.
A tick of irritation forms on Evelyn’s forehead and she makes to retort back, that is until she notices all the ladies around her are glaring at her with envious faces.  Roderick notices her stillness and looks where she is looking.  He scoffs and turns back around, murmuring what sounded like to Evelyn, “Vultures, can’t keep out of my personal affairs, “he says with a curl of his lip in disgust.  Though Evelyn was detested that he would say something like that, she cannot help but blame him.  Those women were acting rudely.
He takes Evelyn’s attention away from her own thoughts and asks, “What brings you, an American, to this side of the ocean?  Don’t you know we are under threat of an impending war?” he said with an irate tone and furrowed eyebrow. 
Irritated, Evelyn retorts “Yes, I do know of the international affairs, I am not that ignorant.  It’s just that my aunt always comes to London at this time of year and she asked me to accompany her.  Who am I to deny that?” she says with a furrowed brow, waiting to see what Roderick has to say next.
He smirks down at her, enticed by her attitude, “Well, I hope your stay in London leaves with an experience of a lifetime.  This city is beautiful, but along with beauty is the immanence of infinite dangers,” he said as the song concluded.
As soon as Roderick stopped, an echoing whistle penetrated the room.  Silence engrossed the area as ears keened to finding the source of that sound.  It was Roderick who acted first, knowing the source of the sound.  He grabbed Evelyn’s hand and brought her down to the floor and enveloped her with his body in order to shield her from harm.  A crash penetrated through the windows and walls.  Debris fell everywhere and was scattered on the marble floor.  Evelyn opened her eyes, she doesn’t know when she closed them, but when she looks up, and she notices that Roderick remains unscathed, but his white uniform is tarnished in soot.  Turning it a ghastly grey and black, which now enveloped the sky?  Evelyn pushes herself up with a bit of trouble.  She was unsteady at first, but manages to crawl back up from the ground.  She looks around her, but her aunt is nowhere in sight.  All she can see and feel are the roaring flames and the screaming of people trying to escape from the fires.  It was Roderick who gained Evelyn’s attention.
“lyn…EVELYN!  Are you all right?” he says with an exasperated tone. Evelyn nods her head and turns back towards him. 
He says to Evelyn, “Stay close to me; I will get you out of here and to safety.” 
Those eyes that once held arrogance and smugness now hold determination and strength which ensured me that Roderick would see to it that my safety will be secured.  As Evelyn follows him into unknown streets, her only thoughts were will I ever see the sky as clear as the cerulean blue in Roderick’s eyes again.

Monday, June 10, 2013

Creative Response: Zach Welman

Author's Note:

This response is inspired by Virginia Woolf and the eavesdropping we did in Trafalgar Square. It's sort of told in an epistolary form (sort of...) and I'm not sure I knew what I was doing with it. Plot-wise it might kind of suck, so just let me know how that is, where it should go, if it should have more at the beginning, etc. I tried to link up the speaker's observations to his situation with the woman he will be writing letters to, but if that does not work, i.e. if you guys don't see that happening and have no clue what I'm talking about in those particular places and even start wondering how it connects to small bit of "actual plot" at the end, just let me know because I'm interested in seeing which direction I can take this if I can take it at all.

I'm not super proud of this piece, but I'm sure there's something in there that works, maybe certain descriptions, thoughts, something...just let me know because I'm not sure there is really even enough here character-wise to comment on/ get attached to. It isn't exactly a normal short story like we've been reading in class so I guess keep that in mind and let me know if I should abandon any weird form type things that I'm trying unsuccessfully to do or not.

Enjoy.

***



Two Letters
            So in a sleep the sweat steamed plastic dis-adhered from my face and the doors swept open and out I drifted; I was on the hunt for some stationery, on which this letter I am now composing you shall be hand writ. Dear Katherine, it is not often I lose myself in a city, but due to the hum of the train, which I imagined was your voice serenading me to sleep along your side as we squished into your aqua blue double-sized hammock hanging from that perfect tree on that very un-London day in May back home, I managed to awake and just get off that very stop—me, spontaneous! I jaunted up the steps and to my astonishment met eye to eye with the Admiral on his throne above all smack dab in the center of all London. My eyes were his eyes, my ears all the ears of the great crowd around me. All letter writing (apologies) was forgotten. (This place—It makes me want to affect a Victorian outlook on everything.)
            The National Portrait Gallery: How I entered there, I am not sure, but it was a sublime place (you really should go). I tell you what, it may have been that long conversation of ours we had the night before, and your prodding me about when exactly am I going to get around to writing you a letter because hey you’re bored there at the lake and it would be nice—whatever the reason, my mind was in a million and one pieces scattered throughout the whole of London on this day. In a certain sense, it was a blessing, as I became the sort of eavesdropper to rival you and your loose-tongued friends. The narrow halls and winding walls of the gallery were filled over with people on this day, all going to see this or that famous person, this or that artist, actor, royal. And yet I alone came for them, the masses—they were my Bill Shakespeare, my Will and Harry and Kate, my Kings and Queens.
            My brain swept the gallery floor, by three friends enthralled: “She was… She had to fight like mad.” “…She was killing people too—” “She had to—” “Or else others would kill her, yeah…” “Right… and… our great golden age was then, really…”
            I assumed, due to the portraits around me, of kings and queens and aristocrats through a period of 100 or so years, that they must have been speaking about Elizabeth I. Who else? Did you know she was supposedly a “virgin queen?” I don’t believe it. So many of the men who hung on the walls around her were friends or confidants of hers…what woman, even one so strong, so truly fit to rule if her portrait is true to her essence as it seems to me, could resist the shackles of love, which bind any and all of us if we happen upon them (and be sure that we do happen upon them), making a slave out of knaves who in folly dare to cross a mighty pond to escape its clutches (Love comes for us all)—who among us escapes or suffers love unscathed? Elizabeth must have had some tender feelings stirring in that manly stomach of hers, for what passionate lengthy rule could be sustained by uncaring, by indifference? What drives a human to kill or have others killed but love? Why not wed and save yourself from having to face rough seas and rough ships if not for the love of another?
            As I tread airily to another room, I see two gallery guards in black uniform at their changing. The white one says, “…ready now?” The black one taps his toes, chuckles without turning as the other places a hand on his shoulder, says, “…time already?” “My turn, John.” “Time for a cup of tea…” says John as he gets up, patting the older, fairer skinned guard on the arm, going to what I hope for him is tea (I wonder about such a job…). What is a friendship between two but a shared pot of tea around a corner table during your work break?
            I turn from them to another couple: two young girls of maybe seven, with the cutest little posh accents. The one in pink (there must be one in pink), questions: “Where are the adults?” The one in blue, hair whipping back, head already along into the next room, reaches back a hand and says, “Somewhere there, but let’s go here and…” Adventures and leaps of faith make the fastest of friends; one always needs a hand to grasp so as to not fall flat on their face in life, I find.
            Though Paris gets the respect, London is certainly a city for love! The couples are forever matching here. And they are not shy about their displays of affection, their joy of finding themselves in the other whose hand they tightly hold for fear it may not be there again when they look. PDA in the tube, on the streets, in the park, in boats, in the Eye—I find it lovely, really. You may not…I could change your mind. You only have to take a leap across the pond to try. And it’s really the youngest ones who do it, of course. The heat is there, the blood so close to the skin, the light in the tunnel appearing so far off, the bells in the chapel unheard, at least distant, ignored. What is life in London without a half of yourself? Am I truly in London when my mind is in America?  
            A quick stop in the café because I require sustenance. So much listening and admiring such interesting people one works up a mighty hunger of another kind. I get coffee and a croissant. A girl roundabout our age and her mother and sister are just gathering their handbags and rubbish for the bin and moving along near me and I have no phone here to check while I munch and sip. “How old is he? How old are you?” “Ha…skin so smooth as a baby’s bottom…” “…why’d you even say that?” “…as a baby’s bottom…” “How old is he?” “…That’s why I’m more mature than you…” A family’s love is something else entirely, like a silent snowfall in deep winter: the entire world, all meaning and significance are there in the snowflakes, individual as they fall but amassing as they spatter the splayed old whiteness already all adrift in my yard, such that an entire dictionary couldn’t carry the volume of speech necessary to adequately draw back out those individuals flakes of meaning from that vast moment. All one can do is look on in wonder, knowing not how each snowflake, though so different from the others bonds with them all as one in that one place and one time, forever.
            The last words I remember overhearing as I left the portrait gallery and turned toward the square were yours on the phone from the night before: “I just feel so old…so heavy that my bones are creaking from all the pressure. I don’t know what to do. The two of us here don’t have enough…I mean my parents…my parents…they…this is your fault and I hate that I don’t hate you for it.” And I hated my stupid blank stare on the other line; my hollow voice was like a drop off the longest cliff there ever was—————in that moment, I wanted to take the next flight to you and her, Katherine.
            And yes, I did wind down the Strand to pick up some fine flowery Bloomsbury-quality stationery on which to write my two letters of necessity. One is for you; the other is for your parents. I am mailing both to you. You either take the leap, mailing them theirs on your way out, or you keep it and throw my letter to you in the fire. Because the ensnaring vines of love have worked their way into both of your lives, my Katherine, I am afraid you will regret both choices.
           
           

Allie Mullen - CR2


Author's Note:
This is my creative response after eavesdropping in Trafalgar Square. It was randomly inspired by a little girl asking her mom "what's that horsey doing" in the National Gallery. I tried my best to utilize dialogue but it is not something that I am very good at. I would love to hear yall's input on improving subtext and "showing not telling." 

Walk of Shame
           The sun poured through the windows and rudely woke my eyes. As I slowly yawned, a terrifying thought came to my mind, “Where in the world am I?” I turned my head to find a man wearing only a cape lying next to me. His eyes opened and greeted me with a smile.
            “Morning Anna.”
            “Morning…” His name would not come to mind. All I could think to call him was, “…Batman?” The room continued to spin as the words fell out of my mouth.
            “You don’t even remember my name? Great. Well, I think you better go now.”
I quietly whimpered as I began dress myself with the clothes from last night: skin-tight brown dress complete with tail, ears and stilettos. I gathered the rest of my things and sped for the door.
“Well done,” his roommate clapped. “Now, don’t get your tail stuck in the door!”
“You’re hilarious.”
“Oh come on, I’m just horsing around!” his voice boomed into laugher as I slammed the door behind me.
I tried to keep my head down because I knew that if I looked up, I would see the eyebrows raise, the eyes roll and the fingers pointing at my shameful choices. I wanted to get home as quickly as possible, but with each stiletto clank, the pounding in my head only worsened.
Luckily, I saw a Pret-a-Manger with enough empty tables to spare a small amount of embarrassment. The cashier smiled as I walked towards to counter, but quickly cleared his throat.
“What can I get for you today?”
“A large coffee, black.”
“Coming right up.” He fiddled around in the back for a bit and as he handed over the steaming coffee, he chuckled, “Have a good night? Sorry, I just had to ask.”
“Fantastic” I said, picking at my nails. “I’m glad you find my misery entertaining.”
“Hey, something has got to get me through these long days, right? I’ve got to hand it to you, though…I would have just taken a taxi. You know what, this coffee is on the house. Good luck with the rest of your day.”
“Thanks. I would have too, but my house is just right around the corner.” I tried to smile, but a sudden rush of nausea came over me.
“Are you oka…?” With my hand over my mouth, I sprinted out of the doors to the nearest trashcan outside.
As soon as I was able to stand upright once again, I heard the voice of a little girl shouting at me.
“Mummy, what’s that horsey doing?” Her mother’s eyes widened, grabbed her hand and lead her away as if she had just seen a ghost.
“That horsey is going on a morning walk, just like we are! Let’s go this way now.”
I pressed onward with the hope of soon laying in my own bed, in the privacy of my own room; only two more blocks to go.
“Annie? Is that you?” I heard a voice coming from behind.
I kept walking, praying that this voice was not talking to me.
“Annie! Hey!” She caught up.
“Hey! I haven’t seen you in so long!” My heart sank. Out of everyone for me to run into right now, it had to be Katie. “How have you been?”
“I’ve been great, you know, taking classes at Oxford, but I’m just visiting my parents the weekend. I see that I’ve missed a fun time last night.” She wrinkled her nose as her eyes traveled up and down my body.
“Yeah…well, great to see you. Let’s get coffee soon.” I rolled my eyes as I turned back and I waved.
With a sigh of relief I finally walked up the steps of my flat and right then I decided that no walk of shame was worth one night of fun.

Melissa Hutchins Lying for Protection



Author's Note 
Hey Everyone,
So this was the creative response we did for the Mysterious Kor. I changed a lot of the story and I like this one a lot more. This is about Carrie just taking a walk at night and seeing the changes that the bombings have done to her city, like the toy shop. I was also trying to show David and Carrie's feelings even for each other instead of telling.

So I'm having trouble trying to portray negative capability and varying sentence structure. I think I am showing the character's feelings or maybe I'm not?  I know this could be better and I would like to know how!

Thanks
Melissa

Lying for Protection
Carrie was walking alone that night. She looked above her and admired the moon; how its light was something she once took for granted. A cold breeze gently ran across her face and for the first time in a few weeks, the night was peaceful. Carrie stumbled up to where the old toy shop had been. She remembered Mr. Daniel’s warm smile and how all the children always gaped in awe at his treasures through the window.

  “I want to visit Mr. Daniel’s shop today, Carrie, can we do that? Please?”said her little brother.
  
“Only if you finish your reading first, Robert, then maybe I can take you.” Carrie smiled at him.
  
The walls were now lying in piles on the ground. Bricks and stone were strewn from corner to corner. Instead of children waiting inside for Mr. Daniels it was toy trains and small dolls waiting under the rubble. Carrie picked up a small doll from the ground. Dirt and dust stained on its face. It seemed to be the only thing not broken in there. Hopefully Robert will be happy with this. Carrie looked at the place once more before she left. Where are you now, Mr. Daniels?  A few tears fell down her cheeks. She wiped her eyes and kept moving.
           Carrie’s eyes averted to a shadow’s movement up ahead of her. This was surprising to her because no one was supposed to be out this late.

 “Carrie, what are you doing out so late? You know that we have curfew.” said the shadow.His voice was familiar.

"Who is that? I can't see you," Carrie replied while standing back.

"It's David, come closer, sit with me," he laughed and motioned her to come over.
She sat down next to him. Oh. It's David.

“Well then why are you out here David? You can’t tell me that you have a better reason to be out here than I do.”  
 David laughed to himself and they both sat on the bench in silence.

“So I guess you can’t sleep either?” he asked

“No, not really, how can anyone be able to sleep?”she said while popping her knuckles.
 There was silence again.

“You know, I heard about your family, I'm so sorry. I wanted to come find you." he said moving closer to her.
Carrie could feel her cheeks run hot and she couldn’t find the words to say. He moved closer to her and grabbed her hand.  Her body froze. He laid his head onto her shoulder. This was not what she was expecting. I guess I should be sorry for him too. Carrie felt his tears on her blouse. She held him like she holds her brother every night, right. She felt her eyes begin to water again but she was determined not to let any more tears shed.
 “David, everything will be alright.” She was lying and he knew it too.