Author's
note:
Hellooo!
I
wrote this for our second creative response. I feel like I improved with
incorporating subtext and working in dialogue (which is not at all my strong
suit). However, there are several areas I'm unsure of. Is the section with the
overheard dialogue snippets too confusing? Is the overall piece too short? Does
it end too abruptly? How could I improve the ending/subtext bits?
Thanks
so much for your feedback!
Mallory
Johnson
Impressed
The day was bright and unassuming, the air soft, cool and sweet smelling. Mr.
Gibbons was taking his morning walk. He turned the corner sharply and his ears
were assaulted with an onslaught of familiar noises – drunken shouts at the
local pub’s tele, construction work on some nearby flats, tourists barking at
their children in strange accents and foreign languages. Mr. Gibbons was used
to this, however. It came with the territory of living in one of the world’s
major cities. He was used listening to tourists, and interacting with them at
his work.
That shop girl was quite nice, he thought to himself and brightened, and
seemed especially impressed when I mentioned my work. “That’s right. Hatchards”
I’d said, “Oldest, most famous bookstore in London…. Yes, that’s right. The
owner.” And her eyes had widened, and she’d been impressed.
He
continued on his normal route and passed many people from all different walks
of life, picking up snippets of morning chatter.
“… on the way to work, and it kept one amused.” Work. I should be on my way
to work.
“…. and he’d probably be delighted to talk about it.” That shop girl really
liked my stories.
“Well, he should
be – why wouldn’t he be?”
“Four is always better. I don’t know why.”
“If you’re going to get cremated you should buy a nice rock somewhere.”
“I
never asked, but how old were you when your father…?”
“Ten.”
Ten. I was ten when I first saw Hatchards, Mr. Gibbon reminisced –
green and gleamin’ in the light - old, and tall, and impressive. Oh, so
impressive.
Mr. Gibbons stopped at a nearby cart for lunch. He normally stopped at the café
next to Hatchards for lunch. All sorts come in and out of that place,
he’d been telling the shop girl. Famous actors, and writers – they come in
all day to sit, and eat, and be inspired. And they know me. They know my
face – they know “there goes Mr. Gibbons. He owns the most renowned bookshop in
the whole of London.”
Mr. Gibbons took his lunch from the man at the cart and continued on. He ate
alone on a bench near the river. He was used to eating alone. He ate his
breakfast and dinner at his house where he lived alone. But at lunch –
at lunch he ate at the café next to Hatchards.
Mr. Gibbons stared out at the water. “Will I see you if I stop by?” she
had asked.
“Uhh…. No… No, you won’t. I don’t work there anymore, you see. New management
and all that.”
“Oh, I see.” She’d said and looked unimpressed.
Mr.
Gibbons looked down at the water. The ledge was slick. The water gleamed green
in the afternoon light and stretched out impressively before him.
Mallory,
ReplyDeleteThis is such a creative piece with the way you used the snippets of conversation and the overall content! I think you could expand this story for sure - I want to know more about Mr.Gibbons and his bookstore! You could go into some backstory where the story currently ends, let us know what has happened exactly to him.
The dialogue feels natural and believable, and I like the overheard pieces of conversation. However, for such a short story it's a little much to have so many lines of conversation. Try cutting some out and adding more setting details and details about the people saying these lines. I really like the concept of overheard conversation triggering random thoughts and memories, though, and you can do a lot with it!
Great job!
- Caroline
Mallory,
ReplyDeleteI enjoyed reading your piece and was particularly moved by how it turns at the end. The whole time I imagined Mr. Gibbons to be a super self-centered man, but at the end, I truly feel sorry for him and realize why he remains in his head for the whole piece.
Although I enjoy the fact that Mr. Gibbons is lost in his thoughts, I feel like you could make this story stronger by showing this through action. Maybe have him do things absentmindedly, like make a wrong turn on his way to the cafe, to show that he's lost in thought- but that's just an idea.
All in all, nice work. You used random snippets of dialogue well to make a creative piece of artwork.
Thanks for sharing,
Marjorie Lupas
Mallory,
ReplyDeleteI really loved it! I liked how you used "impressed." I feel like you used it just enough without going overboard, you know?
I don't think the bits of overheard dialogue was too confusing, but if you're worried about it, you could add a short tag on one or two. Maybe you could add a tag when someone responds to another? I think you added more spaces to show which pieces were coupled together. I agree with Caroline that you should cut out a line or too, though, specifically one of the lines that didn't trigger one of Mr. Gibbons' memories.
The ending felt sad, but I liked it. I kind of wanted to call out to him that I would love to hear his stories and that I am still impressed. Wonderful job!
-Haley
Mallory,
ReplyDeletewell done! I enjoyed the concept of the walk and passing familiar scenes that even I have encountered while in London. Like others have mentioned above, It was very cool how you implemented overheard talk into your dialogue. Being new to creative writing, That's a cool mechanic that I may use for future pieces.
You could improve the way you insert dialogue. It is a tad confusing as to if Mr. Gibbons is speaking or if it is some overheard conversation from a shop nearby. Also, maybe elaborate on if Mr. Gibbons has had any love interests in the past. Does he have a broken heart that needs healing? Why is he so transfixed with the shop girl?
Way to go and thank you for sharing!
Patrick
I like how you incorporated the characters thoughts in italics. I sometimes find myself doing that in my writing too. It's a good way to reveal the characters own perspective. I like the descriptions of the scenes of London your characters walk through. Gives your readers a clear conception of your plot.
ReplyDeleteOverall, a well-developed creative piece.
Keep up the good work.
Cara Eiland
Mallory:
ReplyDeleteI love the concept here. It was risky, but oh so creative, to write a story about an older man who owns a famous bookstore and is a little moody. A lot to take in, but your story made him very believable. Even his name seemed to fit perfectly. After all, I'd imagine someone with such an "important" position to be a little presumptuous anyway. :)
I third the idea about cutting out some of the overheard conversations, particularly Haley's idea about only using conversation pieces that trigger a response from Mr. Gibbons.
Good job!
Scott
Mallory,
ReplyDeleteThis is so light and airy, I really enjoyed it! At first I didn't quite understand the snippets of conversation and who was saying what, but I back-tracked a bit and once I understood I REALLY like that! It's very clever the way you went back and forth between his internal dialogue and what he was hearing on the street.
I'd like a bit more description of this man. Why does he go for a morning walk? How does he walk? How does he dress for the weather? These are things you could tell me that would paint a picture of him without you outright saying "he was an old man with gray hair, etc etc".
I want to know more about this man and to keep reading!
Kate
Dear Mallory,
ReplyDeleteI really liked the creativity of your piece. I especially enjoyed that you not only included the snippets of dialogue, but had your character interact with them. If you did want to cut some of the dialogue though, I would suggest one of the lines that doesn't trigger a memory.
I really enjoyed the unexpected turn you took at the end and would love to see you expand this piece more to show how Mr. Gibbons reached this point in his life. I definitely feel that you left your self room to develop him more as character. Though I did feel that you did a good job of ending your piece and it was not to abrupt.
Thank you for sharing,
Carson
Mallory,
ReplyDeleteI really enjoyed this--light and clever and with a great hook-and-hold at the end. The integration of the dialogue snippets was very smooth, very realistic. The only two I'm not sure about are the ones about cremation and the number four. Perhaps link those up to some of Mr. Gibbons's thoughts?
Didn't think the ending was too abrupt at all, and I'd love to know more about Mr. Gibbons. Great work!
--Angela
Mallory,
ReplyDeleteI really liked reading this. I LOVED how you used italics to separate what's going on in his head/memory and how he's going about his day. Made it much less confusing and fun to read. I too would like to see more descriptions about this man- and perhaps about the bookshop- to see why it is so "important". (or, alternatively, to see why the grandeur is all in his head!)
I also think some of the snippets were unnecessary. I love the one that says "How old were you...ten" and then Mr. Gibbons relates tht to himself. The conversation drew me in and then it made me laugh that he had found a way to use even that sentence to think of himself.
Love what you've done!
Mallory,
ReplyDeleteI think that incorporating the different snippets of conversation was tricky, but I think you pulled it off well. I liked, too, how you related them as much as you could back to the girl and Hatchards. I would suggest that you focus more heavily on some than others, though. If possible, cut some of them out (“Well, he should be – why wouldn’t he be?” “Four is always better. I don’t know why.” “If you’re going to get cremated you should buy a nice rock somewhere.”). Elaborate more on some of them if you feel that they're absolutely necessary to keep and I think you'll still be able to understand the ending.
I'm also a big fan of italics and I think that you pulled it off nicely. However, be careful that you don't italicize everything if it's not meant to be italicized, like the dialogue tags. I think that the story takes an interesting turn at the end. I definitely dig it. Great job!
Morgan
Mallory,
ReplyDeleteI really enjoyed knowing Mr. Gibbons' thoughts. At times, I did feel like the though process or the layout of the story was a little bit choppy, but overall it is really great! You could even take it a step further and expand on his imaginative mind and have him start creating lives in his head for all of the people that he sees. I do see your concern for the end. Maybe add more details and so that we can get to know the characters he sees a little bit more. This leaves room for a more dramatic ending, if that's what you want.
Greta work!
Allie
Mallory
ReplyDeleteI actually quite like the ending, just a line about some impressive scenery to let the character feel especially small or diminished by the shop girl's dismissal of his stories. It could perhaps be emphasized to a greater effect, but I like it.
On the overheard snippets: I don't find them confusing, and I like the way you use them to prompt the character's reminiscences. You get the sense that he is an old man mostly living in his head, and letting the lives of others remind him of his own, and I like that, because I think it can be true. I would say that as entertaining as all the dialogue snippets are, I think you could cut one or two that don't prompt anything from him, and also let your reminisces stretch longer.
I like your light touch on the character's emotions-- you do a good job showing Mr. Gibbons' focus on Hatchards and his old life, especially in lines like-- "At lunch, he ate at Hatchards," but this is a slight repetition, and maybe on the first one, "he normally stopped at the cafe next to Hatchards" can be changed to a more hinting tone, because I like the reveal in the second line.
Good job, and good luck expanding and refining it-- you have a good thing here.
-Ellen
Mallory, I think this was a creative piece--almost poetic in the way you used the dialogue snippets. I like the italics being used to convey thought, but I think it would be ok if you just left out the tags that said "he thought" or "he reminisced" and just let the italics stand on their own. Maybe others would get confused but I think they could follow along. I also agree wit the others that the story should be expanded so we can have more of a conection with the snippets and Mr. Gibbons on his walk. Great Job!
ReplyDelete