This was inspired by one of the exercises we did in class, where we conflated a childhood memory of an animal with a realization we had about an adult in our lives. I don’t know that I’m particularly proud of anything in this piece, but I don’t overly dislike anything either.
I will say I like the quiet realization moment at the end, though perhaps the last sentence may be too blatant. I wanted the reader to know what happened without having to state it outright, but I tend to write a great deal of ambiguity so this almost feels like too much to me.
The inclusion of children and the fish was refreshing but a bit of a challenge. I normally write adults, whose dialogue and thoughts can be more complex and whose actions have meaning, so writing children felt too simple at times for my preferred style. Some parts feel more lyrical and pretty, for lack of a better word, but seem to clash with the children. I think the fish’s relation to the deeper emotion of the story comes across well, but again, not something I’m used to including.
--Angela Story:
The fish was dead, no two ways about it. They stood there drop-jawed and could not understand.
“Is he dead?”
“Duh, Benny.”
“Shut up, Ryan.”
“Boys, behave,” said their mother from the kitchen.
Wendy sat folded up in her armchair and watched her brothers peer at Bubba. Only a little ago he’d been idling in a plastic cup while she cleaned out his bowl. Now he was as lifeless as the table he lay on.
“Do you think it hurt?” Benny said.
“Probably.” Ryan bumped him out of the way. “I saw him flopping around.”
“Don’t, Ryan.”
“Come on, Wendy, you saw it too!”
Boys. “Doesn’t mean you need to say it like that.” She stared at Bubba for another moment. Probably she ought to pick it up and flush it. Really she ought to make them do it. It had never been her fish.
“Let’s bury him!” said Benny, and before she could get a word out they were off, emptying a matchbox, arguing about what spot in the garden he’d liked looking at best. Wendy just went into the kitchen and watched her mother knead dough for bread.
“So they’re burying him, huh?”
“He was a fish,” she said. “You couldn’t even touch him, or have him cuddle you.”
Her mother shrugged. “Doesn’t mean they didn’t love him.”
“When our fish bit it in kindergarten they just told us they’d died and flushed them. We all knew the truth though: the big black one ate them.”
“Really?” said Ryan, coming up behind her. Their mother rolled her eyes.
Benny held up Bubba’s coffin. “Look, Wendy.” There was something absurd about the tableau, a brilliantly blue Beta fish gone dry, nestled amongst wads of dryer lint in a matchbox that was far too big. Something absurd, and yes, maybe something sad.
“Very nice,” she finally said.
“We’re going to put him under the purple flowers,” he said, because they didn’t know the word was iris. Their mother found a large serving spoon to dig with and handed it to Ryan and he took off. Benny lingered, though.
“Do you think Aunt Mara will be mad at us?”
Oh, Benny. Wendy crouched to be eye level. “Why would she be mad at you?”
“Because she gave us Bubba and he died.”
He didn’t like her to kiss him, so she tousled his hair. “No, Benny, she won’t be mad. You don’t get mad in Heaven.”
“Not even a little bit?”
She smiled. “Not even a little bit. She knows you did your best. You took care of him for three months. That’s really good.”
After a moment, he began to smile back. “Okay.” And he went off to join Ryan out back.
Her mother was staring at the dough before her, but Wendy knew she wasn’t really seeing it. She still missed her sister and surely always would, but she seemed to realize Wendy was watching her and pulled on a smile. “That was good, what you told him.”
She shrugged. “It’s probably true, too.”
Now the smile was a little more real. “Go supervise your brothers, would you?”
“Sure, Mom.” She kissed her cheek and started for the back door. “They didn’t see what really happened, though.”
“What do you mean?”
She turned around. “They were drying off the rocks and didn’t see. He jumped out of that cup, Mom. Just jumped out of his good clean water and killed himself.”
Her mother twitched, and when she spoke it was strained. “Go watch your brothers, Wendy.”
What was that about? She almost asked, but her mother began attacking her dough again, with all the ferocity of an inspired baker, so she just backed up and let it go.
But something made her stop at the door and look back again. Her mother had sank down against the cabinets, head bent, folded in on herself. Her whole being seemed to cringe under some unbearable weight that she could not, or would not, share.
Her eyes met Wendy’s and they were bright but deadening, and suddenly Wendy understood.
Angela,
ReplyDeleteI absolutely love this story to pieces, you've conveyed so much emotional weight so subtly! I, too, enjoy some good ambiguity and I think you did a great job here! It's not too out right obvious about the aunt having had committed suicide, but it's also not too obscure. The correlation between the fish's death and the aunt's death was really beautifully done! The dialogue in this story is also really natural and fantastic.
My only suggestion would be to hint at Wendy's age more, I'm not quite sure how old she is supposed to be, 10 maybe? Knowing how old she is exactly will give her realization even more weight - is this her first 'loss of innocence' or is this just another realization of life?
Wonderful job!
- Caroline
This was different, and i LIKE it. I agree with Caroline about not being overtedly obvious about the aunts suicide and it works out well.
ReplyDeleteIt's always fun to try to get into the inner workings of a childs mind, and I think you did very well in this story. Please give us an age for Wendy....right now I am thinking she is betweeen the age of 6-9. Correct?
Keep up the good work!
Cara Eiland
Hey Angela,
ReplyDeleteThis piece was very well done! I really enjoyed the innocence you fleshed out with the young boys. They were so crushed that their fish died, but so hopeful that there would be a pleasant resolution to their pain. The ending stopped me cold. Realization of the "double death" really brought out raw emotion in your characters.
Focusing on what you could improve on, maybe condense the dialogue a tad. Maybe you could have the Mom focus on one or two dialogues with her son's that are poignant, open up the chance for emotional maturity for not just Wendy, but for one of the boys as well. You could have Mother or Wendy reveal the death of the aunt to Benny. This would slowly break that bubble of innocence the boys are under. I am not suggesting you corrupt the boys completely or rip away their childhood, but ween them away from innocence toward the truth a bit.
Great job! Thanks for sharing.
-Patrick
Miss Angela,
ReplyDeleteI really enjoyed reading this piece! The 'ah-ha' moment at the end about the aunt was perfect. I think you did a great job of introducing the characters one at a time, so the names and dialogue were easy to keep up with.
Maybe you could explore Wendy's character more? She could reflect on how inocent her brothers are and how they don't really understand what death means.
Well done!
Kate
Angela,
ReplyDeleteBravo! You handled a difficult topic with subtlety and the perfect amount of ambiguity, just as a child would handle the topic.
In the opening sentence, maybe you could consider changing the "no two ways about it," as it came off a little cliche to me. I also agree with above comments about exploring Wendy a little more, not necessarily as an addend (because I like how it ends), but incorporate something more within the story itself.
Scott
Angela,
ReplyDeleteNice work! Your dialogue and tone are believable and playful; yet, you present us with something quite weighty. The interactions you write between the siblings is spot on, and I could personally imagine myself with my sisters during a moment like this.
I personally would like some more description of action from your characters, particularly Wendy. You reveal her thoughts quite a bit, but I almost think it could be stronger if you show her feelings through what she does. This is just a thought, but generally, it was helpful to know what was going on in her mind as a reader.
All in all, beautiful piece! There's a roundness to your work that makes it nice in just the few pages it is. I'm eager to see your final touches to it.
Thanks for sharing,
Marjorie Lupas
Angela,
ReplyDeleteThere's something very touching about the relation of the boys to the dead pet fish-- it's a very early relation to mortality that I think a lot of people experienced, and then to use that to broach another death in the family with the slightly older female character was good.
I will admit that I didn't understand the suicide was the aunt's until I saw a comment, but I'm not sure that that means you should change it. I sort of thought that the mother might be contemplating suicide, because her eyes were the ones that were "deadening"-- but it does follow.
On writing from a child's perspective: I almost think that the piece would be more powerful if she didn't realize why her mother was breaking down, and she just saw her, maybe connected it with the fish, and then left it. You could make it simultaniously more and less ambiguious without pointing toward the direct reveal but instead slipping in a few more hinting phrases.
I really like the way the actions carry out through your piece-- the mother and her bread dough stay throughout, and that gives the piece strong coherence.
I also like these lines in particular: "Only a little ago he’d been idling in a plastic cup while she cleaned out his bowl. Now he was as lifeless as the table he lay on."
that and some of your other descriptions are crisp and good.
Overall, quite enjoyed Wendy and her perceptive lines that resonated very truly.
-Ellen
Angela,
ReplyDeleteThis is wonderful! I loved it. I thought you did a good job with the dialogue, and your use of the fish was great.
I agree that we need to know more about Wendy, maybe by seeing more of her gestures (like how she tousled her brother's hair instead of kissing him--I loved that!) or hearing a bit more of her thoughts. She seems like she can't be younger than 10. I keep thinking 12, but that's really up to you. After reading Ellen's comment about just having Wendy connect the situation to the fish, I can't decide how I feel about the realization. I think I like it both ways, but maybe if you're going for a younger girl, have her not understand. Regardless, I do like, as you said, that the realization is quiet.
Great job!
-Haley
Angela,
ReplyDeleteReally awesome job on this one. I liked it a lot. I can understand how you would struggle with writing the dialogue that seemed child-like, but I think you pulled it off nicely. I also like the fact that there was so much dialogue. My only suggestion for that is to maybe go back and add some tags. A couple times I got confused with the pronouns and which one connected to which person.
On the same note about writing child-like dialogue, I was wondering how old is Wendy? She seems to be much older than the boys because she seems super insightful and aware of life, I suppose. I know one of your concerns surrounded the last line about how she understood what happened, but I think you could leave that out. I knew what happened just from your description about her mother's actions as she kneaded the dough. I could really sense the tension. So I think you were spot on when you were wondering if you should keep it or nix it.
I want to know more about Wendy. Like how old is she? I think I'd like a longer exchange between she and her mother as well. Not much longer, just perhaps a line or two.
Anyway, I think this is great. I love the ending and I love the connection you draw between the life of a fish and the life of their aunt. Good job. It got real at the end. I dig it.
Morgan
Angela,
ReplyDeleteI really liked your piece. You handled a touchy subject beautifully. I loved that you used something as simple as a fish's death to trigger a moment of understanding and growing up in Wendy's life. I don't think it is to obscure and that you hinted just enough at what really happened that is was understood but not blatant.
I'm not really sure how I feel about the first line though. Maybe entering right at the moment of Benny's question would give a brief moment of questioning. Just a thought.
Overall this a simple yet poignant piece that I really enjoyed!
Thanks for sharing,
Carson
Angela,
ReplyDeleteI really liked how this story seemed so simple at first, but really picked up tension at the end--the last few lines really got me. I loved how you were able to use simple dialogue (in part because the lines are said by kids) to depict a powerful little scene. I agree with Caroline that a specific age would add another little detail/more weight to the story; in fact, little details and descriptions about the characters are all I really think you can add to this if you want it to remain in its flash fiction size. Good job!
Angela,
ReplyDeleteI loved reading this. the way that you illustrate the heaviness of emotion with the innocence of childhood is amazing.
I liked the ambiguity- I felt like I figured out what happened and didn't feel like I needed more information at the end. Like others have said, maybe an age for the children would bring the point home. beautiful piece!
Jill
Angela,
ReplyDeleteReally great job! I absolutely love the comparison and the way that you tied everything in at the end. I really like using animals to convey a deeper meaning of something to children. It was very believable. I did find myself having to go back and re-read to understand who was talking in the beginning because it moved pretty quickly, but I did really like your dialogue.
Great work!
Allie
Angela,
ReplyDeleteI loved this, a lot. You dialogue between the characters was also very well done. I really like the deeper meaning to this story and I feel like you captured the mother's emotional weight very nicely too. The only thing I would suggest is expanding on Wendy's character; I would like to know more about her!
Great job!
Melissa