Monday, June 10, 2013

Creative Response 2, Jill Ference


Author’s note

 Dear Fellow London Learners,

 I am proud of this piece because I made quite an effort to incorporate the craft lessons we have been learning, such as using time as a setting (by setting up the noisy, busy, 21st century London) and using dialogue between characters, as well as using subtext.

  I am not entirely sure if I did the best job with the dialogue, I think I could have used more expressive words and made the characters interact more. What do you guys think? I am also completely unsure of how well I set up the scene where the man grabs Joann’s hand and puts it on his head…do you understand that he’s doing that in a friendly but bold and forceful way? How could I make that more clear, and how could I elaborate on the discomfort it causes Joann?

Also, does anyone think I went overboard with descriptions? Sometimes I tend to have run-on sentences and describe things that are already pretty obvious. Please let me know! Finally, I have never really worked much with dialogue and therefore am not familiar with the proper syntax. Did I successfully separate my paragraphs? Do you know who is speaking each time or is it choppy and confusing?

Stay Global, J

Jill


Searching for a Noiseless Chorus

               Whirl. Whirl. Whirl. Silence. Footsteps, shrieks of children playing outside, doors closing and squeaking, her neighbor’s country music was all suddenly filling up the room and invaded Joann’s ears.  Joann turned over to look at her fan. The familiar buzz had stopped. Plugged in, turned on, the tiny motor hummed. The blade did not spin. Stupid thing had stopped working, again.

              Joann had moved to London just six months ago, and was already wearing earplugs and headphones wherever she went. She was so sick of hearing noise all the time, never-ending noise that assaulted her ears when she tried to fall asleep at night. Friends had made her sleep playlists, bought her sleep machines that made noises of rushing waterfalls and calm rivers, and even bought her pairs of orange headphones that construction workers use. Joann could hear through all of it. Finally she decided that a fan could serve two purposes: blocking out the noise of the city she was so sick of, and keeping her cool. Her room was always so toasty, even in the winter. “Why me?” Joann puffed, thinking of the 10 block walk she would have to take, to the overcrowded store, with the fans all the way in the back, and the man at the register barely speaking English, or any understandable language at all, for that matter.

                 “Ugh…” Joann sighed as she lifted herself off the bed, and searched for her other shoe. She tried not to laugh at her neighbor’s awful singing on the way into the hallway. Slamming her door, jingling her keys, and jostling her doorknob, Joann added her own lyrics to the constant melody of the Apartment complexes on Marylebone Road. Car horns blared and voices became louder: Joann was no longer in her own world with the noise blocking buzz, she was now just a noiseless being among the constant symphony that is London.

    Joann sighed again. As she made her way into the tube station, her ears yet again were violated. The beeping of the oyster cards, the Public service announcements every five seconds, the bums jingling their coin cups, the trains squeaking on their tracks. All Joann wanted was to turn off all the noise she had to hear. She pondered if it was normal to wish to be deaf.

            “Excuse me miss, can you see anything on the back of my head?” Joann winced, not wanting to answer the old man with grey hair encircling the rough, liver spotted skin that was bare on the top of his head. She pretended to look at her mobile for messages, but the man continued to try to get her attention. Joann was never one to ignore someone, she hadn’t yet been a city girl long enough to acquire that skill that Londoners executed so flawlessly.

                  She turned, putting on her best London-er polite smile: “I wasn’t looking, honestly, but no I don’t see anything.” In one swift motion, the man grabbed Joann’s hand with his wrinkly, hair hands and then placed them on the cold, smooth surface of his head.

             “Right there. There’s a scar there.” Joann quickly pulled her hand away from this involuntary preview of old age and pulled some Germ-x out of her purse. As the apple and alcohol scented gel coated her hands, Joann counted the stops to the fan store to distract herself from thinking about all the nasty textures she had just involuntarily felt.

 

       The man continued. “I got that scar in the war, you know. Lost half my blood there.” Joann’s eyes searched for another empty seat, a futile effort on a Thursday afternoon when everybody was getting back to their after lunch meetings.

        Again, insisting on politeness, Joann smiled. “I didn’t feel anything.” She busied her hands to make sure the man would not try to grab them again. His blue eyes twinkled at her, and she felt like she was about to be in for a really long lecture. She thought of her dad, who would always turn the smallest train of thought into a grand philosophical discussion.

            “HA HA! You don’t feel anything? That’s the problem with all you 20-somethings. You don’t feel anything. You don’t have time to feel the sun on your back during your morning commute. You just don’t feel anything for the guy who works in cubicle 6 that’s been inviting you to have a pint for 3 weeks. You can’t even feel things that are under your own fingertips. Even misery and disgust are feelings, but you are all too damn busy and polite to admit you feel them.”

       Joann’s eyes filled with tears. She never felt anything, for anyone. She felt nothing for the breathing, vibrant city that was constantly trying to beckon her from her never silent enough apartment. Ever since she had moved from her sunny family home in California, everything was business. She turned to the man, confessing what took six whole months to come into conscious thought.
         “I’m sorry. I can’t do this anymore. I tried.” He looked at her, puzzled, but enlightened. Looking up at the tube map, she mentally planned out how long she would have to sit on the circle line to make it close enough to Heathrow Airport. She started running scenarios in her head about how she would let her boss down easy. She delighted in the thought of getting a tea that she didn’t have to let stand for 20 minutes before trying to drink it

13 comments:

  1. Jill,
    This is such a poignant and well rounded story! I love your use of sound as the main point of conflict, the interaction with the old man, and that Joann makes a realization (yay character change!) Your details are really great and keep the reader interested - like every little thing that makes sound and the gesture of the man putting Joann's head on his head (which seemed clear to me!). I would love to read more description of what the man looks like, more than just his skin and hair.
    Your syntax is correct overall, I believe, but you don't need to add extra space between paragraphs, just enter once and indent the next line!
    Great job!
    - Caroline

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  2. Yes, this is a well written and descriptive story! You give a lot of details and good dialogue.
    The only corrections that I see you need to make are what Caroline has already pointed out.
    Good Luck!

    Cara Eiland

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  3. Hey Jill,

    I really enjoyed this work. It has a really "Carpe Diem" theme too it which I really appreciate. The contrast you make between the zest for life the old man has versus Joan's dread and anxiety for her "new life" is really unique and original. I really enjoyed that the ending was open ended! Joann was going to have a day to herself, without worrying about other's judgment.

    In terms for improvement, I think some actions by your character could be taken out. Adding in extra details like the use of germ x, or excessive messing with the fan overshadow's some of the crucial dialogue.

    Solid work! Thank you for sharing!

    Patrick

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  4. Jill,

    I enjoyed reading this piece! I think your use of sound as anxiety-inducing was great. I could hear everything you described.

    The dialogue is not confusing at all.

    I like the interaction between the old man and Joann. It's a natural point of climax for Joann's frustration.

    The last sentence is perfect for showing how much she misses home.

    Well done!

    Kate

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  5. Jill,

    Your last sentence is exquisite. I think it revealed just the right amount about Joann and the change she has undergone. Good work with the descriptions of noise! I started to hear it all myself. I wish I knew a bit more about the man, though. He felt pretty vague compared to the clarity with which I think I understand Joann.

    Scott

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  6. Jill,

    Nice work! This is such a creative and vibrant piece. I felt like I was with Joann as she became overcome by noise and then at the end when she realized she wanted to leave. I particularly like the scene with the old man. Although I thought it was odd that he wanted her to touch him, I understand where you were going with his conclusion about feeling.

    However, in the scene with the old man, I would maybe try another way to get him to talk about feeling. I would probably freak out it I man made me touch his touch, and I'm not sure I would come to the conclusion that I needed to go home. Maybe make this transition a little more clear.

    All in all, nicely done. You've created a well-rounded story here that has a purpose, and I'm looking forward to seeing how you choose to finish it.

    Thanks for sharing,

    Marjorie Lupas

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  7. Jill,

    Good job! Like the others, I really enjoyed how you used sound. The first paragraph was great, though I'm not sure how I feel about the "Whirl. Whirl. Whirl."

    Did Joann move to London for work? Since she doesn't like the noise and probably knew the city would be a bit loud, it might make sense to mention why she moved there in the first place toward the beginning. I also agree with Marjorie that I would be a bit more freaked out if someone forced me to touch them.

    I loved your last sentence! It was perfect.

    -Haley

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  8. Jill,

    I thought you did a good job showcasing Joann's disgust with the noise, but especially the head touching scene. It's a pretty cringe-worthy moment, and her instant grab for the hand sanitizer is very telling.

    I think that you might want to break up the old man's monologue on the younger generation-- I think that it is some of your powerful moral of the story writing, but all together I want to skim it, and I wonder why your character is still listening. It just seems a little unrealistic, along with all of your other very short lines, and if you break it up a little, maybe by showing Joann's reactions in the middle of his talking, it would grow stronger.

    "Joann was no longer in her own world with the noise blocking buzz, she was now just a noiseless being among the constant symphony that is London." I like this line. I think some of your descriptions of noise run a little long, though I like the conceit of being overwhelmed with noise, and the above line encompasses it all very nicely in this poetic and succinct way.

    I would also smooth out some Joann's conclusion at the end to leaving, because it comes very quickly. Doesn't she need to pack? It is good and fits in with her character, I think, but it is very sudden, and you could linger on that moment a little longer.

    Your dialogue does seem to be formatted correctly, to assauge that worry.

    But I think you have something here! Good luck stretching and making it better than it already is.

    -Ellen

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  9. Jill,

    Nice job! I really enjoyed it. I like how you rely on sound and the concept of noise to get across how anxious she is to get out and to escape. All of the noise overwhelms her. You also do a really great job with small detail, like when she jostles her doorknob or smells the apple and alcohol scents of the hand sanitizer.

    I think that you could use a little more dialogue and more interaction between the two. I feel like the sudden realization that she's leaving is a little unearned. As well as that, I feel like the man's appearance was very sudden, and he seemed to disappear just as quickly as he came. I think you should definitely draw that out a little more. Would the man really just dive into a discussion like that? Would she really be so apt to listen to him?

    Also, because you rely heavily on sound and noise throughout the story, I'd like to see that appear again toward the end. I understand she is overwhelmed by the noise, but the piece seems to quickly shift focus. Try to connect this sudden realization back with the noise aspect rather than end the story with the bit about tea.


    Those are a few of my suggestions. You did an awesome job!

    Morgan

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  10. Jill,

    I really enjoyed your piece. Your description were beautiful and clear so that I could definitely picture what was going on. I also loved your description of all the sounds especially on Joan's way into the tube. That being said I would love if you could come up with another way to describe the fan at the beginning, you do such a a great job with all the others but this one wasn't quite as strong.
    i
    I am conflicted about the old man making her touch his head. t is such an unusual thing to happen, but it is so essential to your story that I wouldn't want you to take it out. Maybe having him interact with Joann just a little more before he says that would make it less jarring. If he knew the way she was feeling, maybe that would prompt him to make that gesture and then deliver his speech about her generation.

    Overall though, I really enjoyed reading your piece.

    Thanks for sharing,

    Carson

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  11. Jill,

    I thought this little story was excellent and addressed themes about 20-somethings (i.e. us and our friends) that concern me greatly. The whole time you were describing (quite nicely) how the sound of the city annoyed Joann, I was thinking "why doesn't she just leave!", and of course you were already ahead of me on that one. I really liked the interaction at the core of the story, though I think you could flesh it out a bit, slow it down, give it more detail.

    If you want to take this somewhere, expand it, I think you've done a good job at setting up a first scene. Otherwise, it's great as a short short story.

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  12. Hey Jill,

    Like other people, I loved the ending. It's such a simple, fluid way to describe Joann's homesickness and exhaustion. I would suggest, however, a little more build-up to that complete emotional exhaustion. There's perhaps too much about the noise in the beginning and not enough about her emotional response to all that noise.

    I'm glad you're proud of this, girl. Keep it up!

    --Angela

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  13. Jill,

    I really enjoyed reading this! I did really enjoy your descriptions. They were long, but I don't think it took away from the story. I liked them! I thought that the hand on the head was a little bit creepy, especially since she was already so frustrated with everyone around her. I got nervous and scared for her when he did that. But I loved how you tied in the "feelings," both physically and emotionally.

    Great job,

    Allie

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